Bogotá's Parque Simón Bolívar will host the sixteenth edition of Estéreo Picnic from March 19 through 21, 2027. Staged in an open urban green space right in the center of Colombia's capital, the three-day gathering is once again leaning into a broad booking approach that brings stadium rap, modern club pop, electronic anthems, metal, and alternative rock into the exact same park.
Leading the 2027 roster are Travis Scott, Charli XCX, and David Guetta. Grouping these three names together at the top of the bill establishes the event's scale. Scott brings the heavy low end and high-intensity staging built for massive crowds, while Charli XCX arrives with a club-rooted pop catalog that draws listeners looking for cutting-edge electronic beats. Alongside them, Guetta offers decades of experience delivering the kind of straightforward, melody-driven dance anthems designed specifically for massive outdoor fields.
The stylistic variety continues further down the bill with the addition of Arcángel, Avenged Sevenfold, and The Neighbourhood. Arcángel anchors the Latin urban side of the programming, providing a massive focal point for regional audiences and international fans who follow modern Latin rhythms. Avenged Sevenfold pushes the bill in an entirely different direction, introducing aggressive percussion and distorted metal riffs that stand in immediate contrast to the surrounding pop and hip-hop acts. The Neighbourhood adds another dimension altogether, balancing the heavier and faster tempos with moody, atmospheric alternative rock centered around restrained guitar hooks.
Staging an event of this size inside Parque Simón Bolívar allows Estéreo Picnic to pull travelers from across Colombia and other parts of the continent straight into the middle of the city. Rather than dividing its programming into isolated genre silos, the festival treats its sixteenth run as a cross-section of heavyweights from very different worlds. Over the course of the March weekend, hip-hop fans, electronic music listeners, and metalheads will share the same grounds, proving that big festivals can build their appeal on variety rather than genre conformity.
